Switching tomato varieties but keeping nearly exact labels may be misleading

Valiente v. Simpson
Imports, Ltd., No. 23-cv-02214-AMO (N.D. Cal. Feb. 20, 2024)

According to the
complaint, San Marzano tomatoes “originate[] from the town of San Marzano sul
Sarno, near Naples, Italy.” San Marzano tomatoes “bear a special designation:
D.O.P. (Denominazione d’Origine Protetta, ‘Protected Designation of Origin’).” San
Marzano tomatoes grown in the United States do not have the D.O.P. designation
but are labeled “San Marzano style” or “San Marzano” without the D.O.P
designation. San Marzano tomatoes are thicker than Roma tomatoes with fewer
seeds and a stronger, sweeter, less acidic taste. They are thus “perfectly
suited for making sauces” and “are widely considered the best tomato in the
world for the task.” “[C]hefs and home cooks alike seek out canned San Marzano
tomatoes and are willing to pay for them.” Indeed, San Marzano tomatoes
“command double or triple the asking price of regular canned Roma tomatoes or
generic tomatoes.”

sample price chart showing SMT selling at San Marzano prices

Simpson used to sell
San Marzano tomatoes under a label similar to its current label.

Old label showing “San Marzano” on top of elongated, pointed tomatoes

But now it
sells a variety of Roma tomato products under the “San Merican Tomato” or “SMT”
brand.

same image, now with SMT on the tomato

On the label, embedded within the
letters corresponding to Simpson’s brand is text: “San” for “S,” “erican” is
nested within the letter “M,” and “omato” appears under “T.” The complaint alleges
that the text is “so comically miniscule that it is almost impossible to see
with the naked eye.” The label also features illustrations of a San Marzano
tomato (longer and more pointed than a Roma tomato). The complaint alleged
that, with inconsequential differences, all of Simpson’s tomato products,
including boxed tomatoes, canned tomatoes, tomato sauces, and tomato pastes,
“are all packaged with the same visually distinct and eye-catching label.”

Valiente brought the usual California claims.

She had standing as
to products she didn’t purchase that were substantially similar to those she
did, with uniform misrepresentations, as alleged here.

Nor did the FDCA
preempt Valiente’s claims. Although Simpson characterized Valiente’s claims as
imposing a disclosure requirement that the FDCA does not contain, i.e., a
requirement that Simpson specify the tomato varietal the consumer is purchasing,
Valiente’s claim was based on the additional content on the product label—the
illustration of a San Marzano tomato, the letters “SMT,” and the text “San
Merican tomato”—none of which federal regulation requires. However, this did
mean that Valiente couldn’t bring deception-by-omission (failure to use the
Roma label) claims.

Plausibility: yes, it
was plausible that reasonable consumers would be fooled.  Maybe “the illustration is subject to
artistic interpretation” and the label makes clear that “SMT” stands for San
Merican tomato. But it was plausible that reasonable consumers would interpret
the illustration and the letters SMT as Valiente did, and miss the imbedded
“San Merican tomato” text. “The price of Simpson’s tomatoes further contributes
to the plausibility of a consumer’s expectation that Simpson’s tomatoes are San
Marzano tomatoes. A 28 ounce can of Simpson’s whole peeled tomatoes sells for
$5.99, the same price as a 28 ounce can of a D.O.P. product by another seller –
a price which incorporates a premium San Marzano tomatoes command.” (The court allowed
amendment which counsel represented would include more specifics, including
that if she had seen San Merican she would have interpreted it as “US-grown San
Marzano,” which additional allegations would also suffice for a fraud claim.) The
limited changes to the old label – adding “SMT” and illegible text stating “San
Merican Tomato” – “support a strong inference that Simpson intended to make as
few changes as possible to its product label to keep consumers under the
impression that its Roma tomato products were the same as the San Marzano
tomatoes it previously sold.”

Express warranty
claims also survived, but not claims for injunctive relief. Simpson further
argued that Valiente couldn’t pursue any equitable claims because she had an
adequate remedy at law. But at the pleading stage, it was enough to allege that
she “may lack an adequate remedy at law” if the amount of damages recoverable
is less than the price premium she paid for Simpson’s tomatoes. She also alleged
that “[r]estitution and/or injunctive relief may also be more certain, prompt,
and efficient than other legal remedies . . . .” The court accepted these
arguments at this stage (citing, inter alia, Murphy v. Olly Pub. Benefit
Corp., 651 F. Supp. 3d 1111, 1129 (N.D. Cal. 2023) (declining to dismiss the
request for equitable relief where the plaintiffs alleged that legal remedies
were not as certain as equitable remedies because, for example, a full refund
would require a showing that the product at issue had no market value but no
such showing was required for restitution).

from Blogger http://tushnet.blogspot.com/2024/02/switching-tomato-varieties-but-keeping.html

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Descriptive mark Bike+ w/minimal marketing fails to show reverse confusion

World Champ Tech LLC
v. Peloton Interactive, Inc., 2024 WL 665181, No. 21-cv-03202-LB (N.D. Cal.
Feb. 16, 2024)

WCT offers a
mobile-fitness app called “Bike+” and owns a trademark registration for that
name. It sued Peloton for trademark infringement and other claims after the
defendant launched a new line of interactive stationary bicycles under the name
“Peloton Bike+.” The court grants summary judgment on lack of likely confusion.

WCT’s app was first
released in 2014 for the iPhone and Pebble watch as a metric-tracking cycling
app that was designed to “track speed, distance, altitude, and grade.” It also
“allowed users to capture photos or video along a ride, activate interval
timers during a ride, and post details to Facebook, Twitter, or other services.”
Downloads declined after a 2015 peak. WCT became convinced it needed a new
direction and focused on developing an app for the Apple Watch. Facebook
advertising for the 2014 app continued until 2016 or 2019 and remained
available for download; even though the Pebble Watch was discontinued in late
2016, WCT’s principal testified that “there remains a loyal following among the
Pebble Watch community.” But the app was not updated after 2016 and was removed
from WCT’s website. There’s no data on how many bike rides have been tracked on
the app and WCT’s principal didn’t know from personal use how functional the
app was. Also, by the end of 2016, WCT hadn’t paid taxes since 2015 and its
certificate of incorporation was therefore suspended.

WCT’s principal
testified that he continued developing a new version of the Bike+ app from 2017
until 2020, writing “over 2.4 million lines of code,” or about 1,500 lines per
day. He sought to use Apple’s machine learning to create an “on-device coaching
system” featuring “fatigue detection.” He “spent substantial amounts of time
coding and testing this innovation and applying for a patent … that has been
since implemented in the Bike+ app.” He started collecting real-world test data
in August 2018. Around June 2019, he was nearing completion of a new app, but
Apple announced a new Apple Watch operating system, requiring a change in development.
He again neared completion by late 2019, but in early 2020 Apple released another
toolset, which “would at least theoretically permit World Champ Tech to alter
its distribution model to provide for an in app coaching feature for which
subscription fees could be charged.” Then “the COVID pandemic struck, impacting
development productivity.” In mid-July 2020, Apple released a new operating
system that introduced a bug; in September, he reported this bug to Apple. After
an inquiry, Apple confirmed in December 2020 that the bug was fixed. He
completed final testing and submitted the new Bike+ app to Apple for review in
late December. The new app then launched in January 2021.

initial Bike+ app with [bike more] in name and b+ in icon

2021 Bike+ name with logo and “Bike” in icon

Like the 2014 app,
the 2021 app is for metric tracking while cycling. Unlike the 2014 app, the
2021 app does not include “[bike more]” in its screen name, leaving only
“Bike+,” and the app logo says “Bike” rather than “b+.” WCT’s principal testified
that the 2021 app is functional for both indoor and outdoor bike rides.
Although it has subscription coaching features, he was “not positive” that the
coaching features have ever worked since the 2021 app’s launch. He wasn’t aware
of any in-app sales since the launch. He posted about the app on social media
but didn’t encourage others to do so; he didn’t have a written business or
marketing plan before launch, and he did not create investor presentations,
solicit investors, or raise capital. He paid for one press release, sometime
after the app’s “soft launch.”

WCT’s Bike+ mark
started as an ITU application on November 23, 2013 for “Downloadable mobile
applications for recording and managing cycling activities.” The PTO cited a
prior filing for a “BIKEMORE” mark for bicycles, and WCT responded by
distinguishing between its software and the prior applicant’s bicycles,
pointing out that “[b]icycles are physical objects.” It also argued that
because consumers who download an app first go through a selection process that
takes several minutes, they are not likely to be confused.

Peloton’s core brand
is Peloton. In 2020, it announced a “second, higher-end version” of its
(indoor) connected bike and treadmill products. The premium models were given a
plus sign in their name: “Peloton Bike+” and “Peloton Tread+.” The Peloton
Bike+ “offers features not found on the original bike, including a larger,
rotating screen” and “a resistance knob that automatically adjusts to the
instructor’s recommendations.” It also offers integration with Apple Watches
for metric tracking. The Peloton Bike+ costs up to $1,050 more than the
original bike. Peloton chose to add the plus sign “because it is a simple term
that consumers understand to signify a product line extension with added
features. Numerous leading brands, such as Apple (Apple TV+) and Disney
(Disney+), had already adopted ‘+’ for their line expansions.” Thus, the plus
sign “can easily be implemented across product lines to indicate a
‘better/best’ product array.”

“All of Peloton’s
marketing materials that mention the term ‘Bike+’ are also branded with the
[Peloton] mark.”

Peloton Bike+ logo

In December 2020,
WCT renewed its registration and filed a declaration of incontestability,
claiming an air-temperature-measurement feature even though at that time, it
was “highly likely, perhaps certain, that the temperature feature did not
work.” In 2021, WCT produced new videos

“for use in
marketing and customer support in connection with” its 2021 app. In April 2021,
it “took steps to design and develop a new website for use at the domain name
worldchamptech.com, prepare content for such website (including writing blog
posts that were later posted to the website on May 3 and 4, 2021), and transfer
it to a new hosting service.” WCT sued in April 2021.

This is a reverse
confusion case.

Peloton initially
argued that the 2021 app wasn’t a bona fide commercial use, and thus should be
excluded from the confusion analysis. But “[a] single sale, or non-sales
activities alone, may suffice to merit trademark protection upon review of the
totality of the circumstances.” “Here, the plaintiff’s 2021 app was in
continuous (if slow paced) development before and after the launch of the
Peloton Bike+.” And it was “in a sense an update to the plaintiff’s existing
use in commerce (its 2014 Bike+ app).” Sure, this was “arguably … less than
robust: for example, there have been no in-app sales, the app’s distinguishing
“coaching” feature may not be functional, marketing has been limited, and the
app was last updated in January 2022.” But a jury could find bona fide use.

In reverse-confusion
cases, a plaintiff “with a commercially weak mark is more likely to prevail
than a plaintiff with a stronger mark, and this is particularly true when the
plaintiff’s weaker mark is pitted against a defendant with a far stronger
mark.” The Bike+ mark was registered without proof of secondary meaning, creating
a presumption of inherent distinctiveness/suggestiveness. Nonetheless, this was
the “rare” case where the defendant satisfied its burden of showing
descriptiveness. “No imagination is needed to understand from the ‘Bike+’ mark
and its context in the marketplace that the plaintiff’s product is an app for
enhancing biking.” The mark was further weakened by the presence of similar
marks for similar apps in the major app stores: nine other apps in the Apple
App Store and the Google Play Store using variants of “Plus” or “+” along with
“Bike.”

Still, “the
important question in a reverse confusion case is whether the junior mark is so
commercially strong as to overtake the senior mark.” But must there be some commercial
reputation to overtake? The court concluded that the Ninth Circuit “compares
the senior mark’s conceptual strength to the junior mark’s commercial strength.”
But it also “assumed that the plaintiff’s mark’s commercial strength must meet
some minimum bar.” There wasn’t much here. The court concluded that this factor
favored Peloton. [The better view, admittedly confused by the Ninth Circuit, is
that reverse confusion requires conceptual strength in the plaintiff’s
mark—a “mark” with neither conceptual nor marketplace strength may not even be
a mark, and two parties using descriptive terms are unlikely to cause forward
or reverse confusion.]

Product/service
relatedness: The products were “complementary: the defendant offers a
metric-tracking app to accompany its bike, and the plaintiff’s app can be used
with indoor stationary bikes.” Favored WCT.

Mark similarity: Peloton’s
use of its house mark was significant, but not as helpful for a reverse
confusion claim, so this factor also favored WCT.

Actual confusion: none,
despite market coexistence since September 2020; favored Peloton.

Marketing channels:
favored Peloton, which sells its Bike+ product “exclusively through [its]
showrooms and website[ ] and through [Dick]’s Sporting Goods’ stores and
website.” WCT hasn’t done much marketing, and the fact that both parties
advertise online, including in the App Store and search engines, was “unremarkable
under the precedent.” Significantly favored Peloton.

Type of goods and
the degree of care likely to be exercised by the purchaser, determined in a
reverse confusion case with reference to the alleged senior user’s customers
only. Buyers exercise greater care when choosing products related to fitness
and health. Favored Peloton

Intent: In a reverse
confusion case, “Intent could also be shown by evidence that, for example, the
defendant knew of the mark, should have known of the mark, intended to copy the
plaintiff, failed to conduct a reasonably adequate trademark search, or
otherwise culpably disregarded the risk of reverse confusion.” Peloton’s
in-house counsel knew of the plaintiff’s mark before the defendant’s Bike+
product launch and obtained an opinion from outside counsel on the subject at
that time. “But especially given that “Bike+” is a descriptive mark, the
defendant’s choice of a product name that likewise describes its product
mitigates the significance of the intent factor.” Neutral/slightly favored WCT.

Likelihood of
expansion: Not relevant, even though Peloton considered developing an app store
for its fitness equipment and has applied for trademark registrations related
to mobile app features.

The important
strength factor favored Peloton, while the other important factors, relatedness
of goods/mark similarity, favored WCT. Summary judgment was a close call, but given
the absence of confusion evidence, lack of overlapping marketing, and degree of
consumer care, it was warranted in this specific context, where WCT’s app was
mostly dormant at the time of the Peloton launch. “[C]rucially, the Bike+ mark
is descriptive and is joined in the marketplace by equivalent app names and
variants on that composite mark. Not surprisingly, despite several years of
coexistence, no evidence of actual confusion was submitted.” Adding the 2021
app didn’t help, because its key feature may not be functional, it has achieved
no in-app sales, and the plaintiff made almost no meaningful marketing efforts.
“[I]f there is so little to overtake, reverse confusion must be unlikely.”

The Ninth Circuit
recently said that “[w]hether [the senior mark is] descriptive or suggestive,
the important question in a reverse confusion case is whether the junior mark
is so commercially strong as to overtake the senior mark.” But it also
indicated that, in this court’s words, “if the plaintiff’s mark is descriptive
rather than distinctive, the analysis can be different. That point is
consistent with rejecting a reverse-confusion claim that lacks sufficient mark
strength and supporting marketing efforts.”

 

from Blogger http://tushnet.blogspot.com/2024/02/descriptive-mark-bike-wminimal.html

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CFP: trademark, competition, or antitrust law

 I received a request to disseminate this CFP from the Jerzy Wiszniewski Foundation.

Works in any of the following fields may be entered in the competition:

Օ Trademark law

Օ Competition law

Օ Antitrust law.

The work may be a master’s thesis, doctoral or post-doctoral dissertation, monograph, or other work of a scholarly nature.

Requirements for submissions:

Օ Published (or defended) no earlier than 11 April 2019

Օ Accompanied by at least two written reviews by a person holding a doctorate or more advanced title, or a member of the judiciary or prosecution service

Օ No less than 100 pages

Օ Written in English or Polish.

Detailed information and the rules for the competition are found at the foundation’s website:

wiszniewski-foundation.org

The author(s) of the best work in the competition will be awarded a cash prize of USD 20,000.

Submissions should be addressed to: contact@wiszniewski-foundation.org

from Blogger http://tushnet.blogspot.com/2024/02/cfp-trademark-competition-or-antitrust.html

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New piece: A Hobgoblin Comes for Internet Regulation

 My contribution to From the DMCA to the DSA—A Transatlantic Dialogue on Online Platform Regulation and Copyright.

from Blogger http://tushnet.blogspot.com/2024/02/new-piece-hobgoblin-comes-for-internet.html

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Cardozo A&ELJ symposium, Trademark

Panel #2, TM,
moderated by Vice Dean Felix Wu

Jack Daniels says
that use as a trademark is special: like copyright’s bête noire, confusion caused
by trademark use is the central concern of trademark law. While I have many questions
about and concerns with the Court’s approach, I want to focus today on how the
concept of use as a trademark—as an indicator of source for a product or
service—interacts with other things that the Court has said about the Lanham
Act and how we might reconstruct trademark law to focus on what the Court has
told us is important instead of what it’s doing now.

I’m going to start
by going back to some earlier cases, Two Pesos v. Taco Cabana, from 1992. As
you may or may not recall, §32 of the Lanham Act provides for a cause of action
for infringement of registered marks; courts have read 43(a) to provide a
similar cause of action for “unregistered marks”—matter that is not registered
with the PTO but serves a trademark function of indicating source. In Two Pesos,
the Supreme Court tells us that “the general principles qualifying a mark for
registration under § 2 of the Lanham Act are for the most part applicable in
determining whether an unregistered mark is entitled to protection under §
43(a).”

It doesn’t really
tell us what the “for the most part” caveat might mean, but I’m going to focus
on this point: “entitled to protection” is not the same thing as “entitled to
the same presumptions, scope of rights or remedies.” Indeed, in recent years
the Supreme Court has repeatedly emphasized the multiple benefits of
registration to a trademark claimant, including in the recent cases of Matal v.
Tam and Brunetti, striking down various bars on registration.

Then, in Lexmark v.
Static Controls in 2012, a Lanham Act false advertising case, the Court gave us
two more principles for interpreting section 43: a statutory cause of action
extends only to plaintiffs whose interests “fall within the zone of interests
protected by the law invoked.” And here there is a very clear statement in the
statute of that zone of interests, which most relevantly includes “to regulate
commerce … by making actionable the deceptive and misleading use of marks in …
commerce; …; to protect persons engaged in … commerce against unfair
competition.” I’ve left out the parts specific to registered trademarks and the
reference to treaties.

Second, the Lexmark
court says, 43(a) has a proximate cause requirement: a plaintiff suing under § [43](a)
ordinarily must show economic or reputational injury flowing directly from the
deception wrought by the defendant’s advertising; and that that occurs when
deception of consumers causes them to withhold trade from the plaintiff.

So, putting Two
Pesos together with Lexmark, that an unregistered mark might be entitled to
protection doesn’t mean has the same scope of rights as a registered mark—national
scope of registration is just one example; Lexmark’s standing requirement of
showing the kind of harm against which 43(a) is directed as part of the plaintiff’s
main case, rather than presuming harm, makes sense as another, and some lower courts
in trademark cases have noticed that Lexmark by its terms demands this showing
from all 43(a) plaintiffs, not just false advertising plaintiffs.

Then, in Jack Daniel’s
last term, the Court told us that use as a mark to identify the source of goods
is trademark law’s central concern; when there’s use as a mark, the likely
confusion test provides enough protection for any First Amendment interests. The
Rogers test is for situations in which the use does not indicate source, as in
the title of the song Barbie Girl or the use of images of trademarked goods in
artwork or movies.

But, by indicating
that the Rogers speech-protective test that insulates against claims of
infringement could only apply when there wasn’t use as a mark to indicate source,
and by saying that it wasn’t ruling on whether Rogers was ever appropriate, the
Court necessarily implied that some things that aren’t uses as
indicators of source could be actionably confusing.

The obvious candidates
are uses that, in the words of 43(a), “deceive as to the affiliation,
connection, or association of such person with another person, or as to the
origin, sponsorship, or approval of his or her goods, services, or commercial
activities by another person.” That is, Rogers is for uses that might
confuse, but not about source.

So I’m going to
suggest that Jack Daniel’s, in combination with the last term’s other TM case, points
towards a revitalized distinction between the treatment of registered marks
used to indicate source—which get the highest level of protection—and everything
else; to whit, uses of registered marks that don’t indicate source but might
indicate something else, and uses of unregistered marks, where plaintiffs
should have to show not only validity but also harm from the use. We already
make this kind of distinction in other contexts, for example, someone who has a
valid mark can oppose registrations on 2(d) confusion grounds, but if you don’t
have a mark but do have fame that you aren’t using as a mark in commerce on
goods or services, you can oppose using 2(a), which bars registration of
trademarks that “falsely suggest a connection with persons, living or dead”
or with institutions. And the practical burden of showing false connection is
probably higher, just because the things that make confusion more likely—having
competing goods and services in the market, having a commercial reputation and
not just a general reputation—are missing if you don’t sell goods or services
yourself.

The last piece of
the puzzle then is the Court’s rather convoluted decision in Abitron v.
Hetronic. The court there was deciding the extent of the Lanham Act’s extraterritorial
application, but in the course of their reasoning, several opinions said things
about standard trademark use, some of which were embarrassing but at least one
majority holding of which has potentially broad implications especially in
interaction with Jack Daniel’s.

In Abitron, the
opinion of the Court insisted that “Congress has premised liability on a
specific action (a particular sort of use in commerce),” and further stated
that both 32 and 43(a) “treat confusion as a means to limit liability to only
certain ‘bona fide use[s] of a mark in the ordinary course of trade.’” As for
that, the Court continued, such use must serve to “identify and distinguish
[the mark user’s] goods . . . and to indicate the source of the goods.”

That is, the infringer,
to violate 32 or 43(a)’s analogous trademark protection, must be using the mark
in a way that is bona fide—that is, not inconsistent or sporadic, but in a way
that would—absent the existence of the prior rights claimant—be enough to make
it a mark for the defendant. The Court is very clear about this: there is only
one definition of use in commerce in the statute, and it applies to both what
the plaintiff must do to claim rights and what the defendant must do to violate
those rights.

That doesn’t mean
that 43(a) couldn’t go beyond classic trademark protection. As Mark McKenna has
elaborated, there’s a distinct class of acts that constitute unfair competition
that we could easily read as part of 43(a). But the difference is profound,
because when a use is not bona fide trademark use, the plaintiff should not get
the benefits of the various presumptions we give to trademark claimants—it should
have to show harm, even absent some doctrine like Rogers for non-trademark
uses. Moreover, when there is non-source confusion, the remedies ought to be
different—disclaimers or other redesigns are the appropriate remedy, not
prohibitory injunctions.

Indeed, Justice Sotomayor’s
concurrence in Abitron for three Justices suggests that the Court is thinking about
source confusion, trademark use, and harm as linked concepts; as she points
out, along with use in commerce, “Plaintiffs must also generally show, for
example, that their “injuries are proximately caused by violations of the
statute.” citing Lexmark and concludes that “The Court is thus mistaken that
“abstract consumer confusion is sufficient” to recover under the Lanham Act.”

The problem we face,
of course, is that lower courts have expanded the concept of confusion so far
beyond source confusion that the Court’s thousand-foot vision does not describe
the system on the ground. But it could, and in many ways that would be a return
to the common law system in which trademarks got special treatment in terms of
remedies compared to acts of unfair competition, which could also be enjoined
but only on a higher evidentiary showing. And this move—firmly distinguishing
source confusion from other kinds of confusion, this time with a statutory
basis, would have salutary effects on free speech and competitive freedom to
operate, which are topics I believe the other speakers will take up in more
detail.

Stacey Dogan &
Jessica Silbey: Jack Daniels & the False Promise of Trademark Use.

Kagan/majority is
too sanguine about ability of existing doctrines to protect speech that Kagan
views as important. Title may seem surprising b/c Dogan advocated for TM use to
distinguish b/t secondary and direct liability in TM law. Why not celebrate
that Court embraced trademark use? The TM use doctrine is not up to the task
given it: policing line b/t expressive speech that deserves special protection
and run-of-the-mill commercial uses of marks.

Kagan appears
sympathetic to idea that certain expressive uses deserve special protection
against infringement suits, whether through varying the confusion test or
otherwise. Kagan expresses no explicit view on whether Rogers is the right test
for traditional expressive works, though seems to agree some special insulation
is required. But no special protection should apply when D has used mark as a designation
of source for its own goods/services: in the way the Lanham Act most cares
about. Most parodies will be recognized as such and not confusing, but in cases
involving TM use, standard likelihood of confusion test applies, regardless of
D’s expressive purpose. W/o TM use, can use other doctrines more protective of
speech interests.

But what is TM use?
Kagan describes it as “designation of source.” Notion of source identification
appears throughout as essence of TM function and the type of use that doesn’t
perform a source ID function. Completely confident that this will ensure
continued protection for the uses Rogers allowed: cases where TM is used not to
designate a work’s source but solely to express something: Barbie Girl, Univ.
of Ala, LV v. Warner Bros/Hangover II is non-TM/purely expressive and not
source indicating v. Hog Farm motorcycle shop, United We Stand v. United We Stand,
Timmy Holedigger perfume. But examples are not analytical tools. She thinks it’s
intuitively obvious that the former are purely expressive, but what are the
characteristics to use going forward.

We might try to
distinguish based on the nature of the product: expressive works/other types of
products, including mundane products like mugs and other merchandise (Univ. of
Ala). But how do we know a mug’s not expressive? What about greeting cards,
sneakers, a T-shirt, an NFT, a doll? As in MGA v. Harris, a case about dolls
where the court granted Ps new trial after JDI, TM use requires a detailed
factual analysis that precludes early resolution before trial.

The lower courts are
not drawing the line b/t use and non-use that is consistent w/Kagan’s gut level
formulation. Most courts have found Ds to be engaged in use as a mark, for
movies, books, and TV show titles, the very type of use that Rogers was
designed to protect. HomeVestors: title of TV show. Davis v. Amazon: dismissed
claim, but not b/c of Rogers, for movie title. Morlu v. Amazon, Storm Raven
title—possibility that it would be perceived as TM use is a problem. JHT v.
AMC: Liberty Tax services, granted motion

Didn’t maintain the
line Kagan expected it to hold. Implicit line doesn’t survive move to explicitness.

Another possibility:
limit “TM use” to situations where D would have plausible claim to TM rights if
asserting them, as happened with VIP/Bad Spaniels. Punchbowl News/Hog Farm
cases seem like branding uses—establishing independent identity under the mark.
This approach could get rid of cases where TM holders’ claim isn’t to source
confusion, but sponsorship. But it’s not clear this would achieve Kagan’s
goals, b/c courts have found TM uses and source identification in cases involving
these protected types of works. [Purely expressive doesn’t work well, but designates
something other than source might?]

Real problem w/TM
use as device for protecting speech interests: in its original conception,
Rogers was devised not b/c TMs in expressive works can’t ever serve TM
functions, but b/c there’s something special about speech in this context that requires
more than the ordinary LOC test. Titles are hybrid! They have both commercial
and artistic elements. Inextricably intertwined: title promotes movie and
significant means of expressing what artist wanted to express. Consumers have a
dual interest in not being misled, but also in receiving results of author’s
free expression.

Another approach:
incorporate Rogers-type concerns into LOC test; one might worry whether that
test is capable of protecting speech interests, particularly at an early stage
of litigation. If it can’t be used that way, lots of Ds will roll over rather
than fight.

In the wake of the
Barbie movie, does Barbie Girl
come out the other way? The
argument was in part that people won’t license third parties to make fun of
them, but after the Barbie movie, how persuasive is that?

Christine Haight Farley, Parody Perils Post Jack Daniel’s

Sotomayor thought that parody might need a special test at
oral argument; the opposite of what the decision said, though it did say that
LOC test isn’t blind to confusion. That kind of message matters in assessing
confusion b/c consumers aren’t so likely to think that maker of a mocked
product is itself doing the mocking. So we don’t need a special test. Maybe
generally right; a lot of cases aren’t confusing. But are parodies really safe?
If so, how? When the court takes away this speech-protective test, it wants us
to believe there’s no sacrifice of speech interests.

3 perils: (1) Survey evidence on authorization; (2)
Application of the LOC factors; (3) generally proving parody.

On authorization, Sotomayor concurs to warn that surveys may
reflect mistaken beliefs that all parodies require permission from owner. JDI:
survey expert found 29% confused. Shari Diamond looked at responses; 29/62
counted as confused were only confused by questions about authorization or
affiliation. E.g. “The bottle is mimicked after the Jack Daniel BBQ sauce. So
they would hold the patent therefore you would have to ask permission to use
the image.” [Like Luke Skywalker says, every word in that sentence was wrong!]
Balducci: court accepted survey showing more than half of respondents thought
you needed permission to use Michelob name/logo.] What do we do about the
statutory language which includes “affiliation” or “approval”? That will take
some work (not just assuming that the words in the statute are transparent to
consumers).

(2) SG took the position that the dct erred in failing to
factor parody into the LOC factors. Chewy Vuiton is a good example of that, but
it’s really just strength/similarity that get special treatment in parody. [I
think intent does too.] But Balducci said that it was an error of law to do
this. In Vans, the court didn’t adjust the factors at all.

(3) Courts say: Not all parodies are nonconfusing, but only
successful parodies fare well! What is a successful parody and how do we figure
it out? That seems to be a threshold test prior to LOC. That test has to be
pretty low-level—not whether you succeed (that would make LOC superfluous) but
whether it’s plausibly a parody. But how do you measure that? The LOC test depends
on the relevant consumer. The reasonable person? Cliff Notes v. Bantam
Doubleday might be an example of that. Pokes fun at the original. The Onion’s amicus
brief in a non-TM case notes that parodies are an old literary tradition, and
not every one has to slap you across the face to be successful. Demanding a
clear message is a tall order! Cliff Notes said that parody has extra 1A
protection; but is that true? Tommy Hilfiger says: when a parodist makes TM use
of another’s mark, it should be entitled to less indulgence even if this
results in residual effect on free speech rights of commercial actors—the opposite
of Cliff Notes. Paid out in Vans v. MSCHF: that shoes were conceived of as a
parody doesn’t matter—message of ridicule has to be clear; if it leaves
confusion, parody hasn’t succeeded and there’s infringement.

[4th peril: dilution! If anything is TM use, then
everything will be excluded from both of the exceptions that were intended to
protect noncommercial speech.]

Wu: TM use: suppose you
could just decide the role of TM use in the system. How would you design it?
What if we took Rogers seriously about titles’ hybridity? If a non-TM use, no
infringement; you need Rogers when there’s a hybrid function.

Dogan: the hybrid
case is the kind of case that Kagan says need to be bundled into TM use and not
treated specially, b/c she says TMs are expressive all the time. As long as it’s
a TM use type, then you have to throw it into LOC.

Wu: but you’re
saying Kagan’s wrong. So what would you design from scratch?

Dogan: to me, the
main value is in distinguishing b/t parties selling their own products or
services and third parties that might be enabling them/helping them—informational.
Internet intermediaries. Is Google using TMs as marks? No. It should be liable
if at all only under contributory infringement standards. TM use can be use in
those “easy” cases. What Kagan is trying to do is possible, but TM use is not a
very effective boundary-setting doctrine, b/c it’s inherently circular—inevitably
brings in questions of confusion. How do we decide whether someone who’s put a
symbol on their shirts is engaged in TM use? Ends up a mucky, fact-intensive
inquiry. In wake of JDI, we need to do something to firm up the speech
protections in LOC analysis and move more in Chewy Vuiton direction and allow
courts to make earlier judgments that perceive parody and commentary and throw
cases out based on lack of LOC.

Intent should also
matter to LOC—intent to comment should be relevant.

Jessica Silbey: How
do we know that what Bad Spaniels is doing is use as a mark? If you just saw
it, would you think that’s their brand? They had lots of other dog toys with
other jokes. None of those were branding uses. They had VIP on the hangtag. We
should use other defenses, like nominative and descriptive fair uses to
tolerate certain kinds of confusion; we should have that here when there’s
hybrid use. SCt is hypocritical in this context; they wave the 1A flag for
bakers and florists and website designers; what about this speech? Why are TM/©
not within that protected sphere? Property is elevated over speech.

Farley: following
JDI, if you’re making TM use, you don’t get nominative fair use (or plaintiffs
will argue that for sure). That’s where Gorsuch’s suggestion that anything not
in the statute doesn’t count is so worrying. Vans case: TM use was not analyzed;
depended on their reaction to the rest of the case. Kagan’s opinion tried to
give us insight into what she thought TM use was, but then she pointed to the
hangtag with the little dog “logo.” This case was about the trade dress, but
the analysis makes it hard to separate TM use from parody products.

RT: Alex Roberts has
cataloged TM use at the registration stage; we could start there. The Court was
very clear in Abitron that the D has to be making bona fide TM use in order for
there to be liability; maybe it didn’t mean that, but we should try holding it
to its word.

Wu: what would
Farley do?

A: would lean hard
on certain things in JDI: parodies should be protected. Along the lines of
Ginsburg’s “fair use is the built in 1A protection” take for ©. First decide if
it’s a parody at a very low level of inquiry, then filter through LOC factors.
If intent is properly applied, we wouldn’t need to flip any analysis: intent to
confuse should be the only relevant intent. Really have a theory of the case
about why this is a successful parody. If she could change the world, proposes
a broader fair use defense that recognizes that LOC is not enough to protect
speech.

RT: My view:
commercial/noncommercial speech should be the line.

Dogan: Rogers became
a victim of its own success—expressive uses did so well [appropriately!]; we’re
seeing a swing in the other direction. Trial court hated VIP! Accepted
testimony of psychologist who testified that consumers would start thinking of
poop every time they drank Jack Daniel’s. If we have a legal standard that
gives discretion to these factfinders to reach the equitable result, bad things
will happen.

Farley: when the SCt
decides a TM case, it’s not paying attention to how it’s working on the ground
or how far the law has expanded—it thinks TM law is working pretty well.
Hetronic is an example of that. It only applies when you’re making a bona fide
use in commerce!

Silbey: big visible
wins=people might stop suing as much. But you don’t want to have to take it
case by a case to a jury and then to the SCt.

from Blogger http://tushnet.blogspot.com/2024/02/cardozo-symposium-trademark.html

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Cardozo A&ELJ symposium: Amy Adler Keynote and Warhol panel

Keynote Address, Amy
Adler, (How) Should Courts Interpret the Meaning of Art?

Warhol was
confused/confusing; lower courts are all over the place in response. Ushered in
sea change in terms of how it was used in art cases. For years, those cases had
determined fair use by focusing largely on whether the secondary work was
transformative: new meaning or message. Some of the art stars of our day have
been caught up repeatedly—Koons sued five times, Richard Prince recently
settled two cases and has been sued five times as well. Cases answered
transformativeness question in an undisciplined way; the SCt said the question
shouldn’t have been so central to the inquiry, instead elevating commercial
concerns and the “purpose” of the use over the questions of artistic
contribution of the new work.

Nonetheless, courts
are still in the fraught business of determining the meaning of art. First, the
Court said so: meaning as reasonably perceived should be considered as
necessary to determine the purpose of use. Second, the court revived the
satire/parody distinction and placed renewed emphasis on whether a choice of
material was “justified.” Both of these inquiries require courts to interpret
the meaning of works.

The problem is that
courts are catastrophically ill-suited for these kinds of inquiries, and Warhol
not only failed to resolve those struggles of thirty years, but
exacerbated them. The Court tells us what not to do: don’t evaluate the
artistic significance of a particular work of art. Nor does the subjective
intent of the user or subjective interpretation of court determine purpose of
the use. But, the meaning as reasonably perceived should be considered. So:
how?

Lower courts have taken different approaches over the years,
and the choice of approach is often outcome determinative, but the Court doesn’t
say what to do. Instead, it confidently interprets the meaning of the works and
finds them the same—Warhol applied his characteristic “style” to bring out “a
meaning that was already available” in the photo; his portrayal is “somewhat
different[]” from Goldsmith’s.

But can we reduce visual art to meanings and messages at
all? And if we could, what approach should courts use? Intent ruled out.
Aesthetics seems to be playing a behind-the-scenes role. Is there a “reasonable
perceiver” of art?

Warhol himself refuses the idea of assigning meaning to the
work, mocking it by saying to ask his assistant, who “did a lot of my
paintings.” Cariou v. Prince: Prince’s deposition testimony says he wasn’t
trying to create anything with a new meaning or message. His message was: “He’s
playing the guitar now. It looks like he’s playing the guitar. It looks as if
he’s always played the guitar. That’s what my message was.” (Narrator: It
does not look like he’s always played the guitar
.)

Deeper problem: WJT Mitchell, “Whatever images are, ideas
are something else.” Images are impenetrable to meaning. This causes trouble in
law, particularly First Amendment law, where images revel in their multiplicity
of meaning—proved fatal to artists in court, Serra v. US GSA. Serra was unable
to identify a message conveyed by the sculpture, so there was no 1A problem in
removing it. Incompatible w/language of meaning and messages.

SCt has acknowledged the difficulty of interpreting meaning—it
frequently isn’t possible to identify a single message conveyed by a monument,
especially when there’s no text, Pleasant Grove v. Summum.

Aesthetics doesn’t work for contemporary art, which is no
longer something primarily to be looked at (Arthur Danto)—for better or for
worse, probably for worse; Warhol was the hinge of the change. Danto: one feature
of contemporary art that distinguishes it from art since 1400, which is that
its primary ambitions are not aesthetic. Its concept can’t be accessed by
looking at it. On Brillo Boxes: two objects look exactly alike, how is it
possible for one of them to be a work of art and the other just an ordinary
object? That’s the question Warhol asks.

David Smith dispute: masculine abstract expressionist, Cubi
XII, April 7, 1963. 109 5/8 by 49 ¼ by 32 ¼ inches; Lauren Clay, No
side to fall into
, 2012 paper and acrylic, 18 ½ by 7 by 3 inches—triggered a
C&D. There’s no way to explain what the Clay work does through aesthetics,
and likewise no way to explain Sherrie Levine’s After Walker Evans. Conceptual
work is beneath the surface of the work.

Fair use is not just a game for rich artists like Koons and
Warhol, though they’re the reported cases; most artists can’t afford
high-stakes litigation.

Court’s assumption that there is an objective meaning of a
work. Reasonably perceived: by whom? Ordinary person (‘my kid could do this’
view of contemporary art); judge; art expert; consumer. Ahistoric ways of looking
at Warhol (both majority and dissent)—de Kooning supposedly told Warhol: “you’re
a killer of art. You’re a killer of beauty.” Warhol was attacking art! Visual
differences, which dissent dwells on, are not the key.

Panel #1: Professor
Jacob Noti-Victor moderating

Christopher Sprigman:
how lawyers should think about fair use going forward: Warhol is only about
factor 1. Don’t think of it as a test where you care about what facts go into
what factors; SCt and lower courts stick things into different factors. The
question is, under an equitable rule of reason, is the use fair? That’s a
normative question ultimately.

2 innovations in the
fair use analysis: (1) focus on particular uses. Hidden in ordinary case b/c
the use complained of is the D’s use to create the D’s work. But ultimately Goldsmith
didn’t challenge legality of works as works, a wise decision for litigation. In
Cariou, the ordered destruction of the Prince works clearly mattered to the
Second Circuit’s reversal. So attacking only the use on the Vanity Fair cover
was targeted to get what G wanted.

(2) A transformative
use is one that has a different purpose or character, and it didn’t perceive
much of a difference, but mere difference is not enough. It has to be a
difference that gives the work a different purpose or character. What does that
mean? These are related to competition, says the Court. Central question relates
to whether there is substitution—copyright’s bête noire. Achieve a purpose that
is the same as or highly similar to the original work=more likely to substitute
for or supplant the original work. “Magazine photos about Prince” is the market
in which they compete.

So: when do “uses”
compete? Incredibly difficult question from economic/antitrust perspective. The
market is full of highly differentiated products, aesthetically. Not two bushels
of wheat. With songs, or motion pictures, or any real IP good, consumer demand
is very strange. If you’re a huge Taylor Swift fan, other singer-songwriters
aren’t good substitutes. In antitrust, we look for small but substantial and
nontransitory increases in price.

If price of coffee
goes up 5-10% and it’s nontransitory, will you switch to tea? For many people,
no: coffee does not compete in the same market with tea. To understand what competes
w/coffee, we have to understand whether increased prices will redirect demand
to another product. If no, then coffee is in a market of its own.

Applied to Warhol:
if the Warhol license becomes 5-10% more expensive, will people switch to
Goldsmith? Probably less likely than you think, so substitution is not often on
the premises.

Antitrust lawyers
now have something to teach copyright lawyers: an environment that might be promising
for many fair use defenses. If we focus on particular uses, judges might be
willing to find that a work is fair even if some uses of it might not be. And
we may be able to teach judges that competition happens b/t differentiated products
less than we might like think. There isn’t a market for “Prince images.”

[Q: how does the
antitrust view handle the derivative works right?]

Peter Karol (similar
presentation recapped
here
).

Michael Carroll:
Disagree with Adler and Karol about how to read Warhol, because he has a much
narrower view. Media industries and parties in Oracle and Warhol tried to repeal
Campbell and failed. GvO, which analyzes all four factors, ratifies
transformative use. Warhol is to the same effect. In context, these aren’t
changes b/c Sotomayor is reacting to a straw person version of transformativeness
created in the lower courts; because the Warhol Foundation labeled its argument
“meaning or message,” the Court rejected the straw person “a tiny change in
meaning or message is enough.” Of course that’s not enough; it never has been.

Disagree with these
readings of Warhol as significant change; on the other hand, agree w/everything
they’ve said about the work to be done going forward. New meaning or message is
still part of the test, and that’s going to continue to be very challenging to
courts in contemporary art cases. Similarly, whether a use is new or distinct
under Campbell is a nuanced inquiry b/c asking whether it’s competitive or not
were always implicit in Campbell.

The basic two
questions: What is the purpose? A nuanced inquiry. And then: is the amount appropriate
to that purpose? That is the ultimate test but it can be difficult to apply.

In risk analysis,
you have always needed to analyze the use you’re making rather than all
downstream uses. Why did licensing get elevated? It’s a pivot and also it’s the
only act that took place within the statute of limitations.

In Warhol, industry/media
wanted a ruling that would say that transformative use had “swallowed” the
derivative work right, undermining incentives—prospect theory. The Court didn’t
do that. Plenty of space left.

Victor-Noti: The Court
did muddle factors one and four. What should we do going forward for predictability?

Sprigman: to keep
substitution caged up. Most dct judges see very few © cases, whether or not
they’re interested in the subject matter; so too with appellate judges, who see
more. SCt is to blame for taking very few cases, period. Maybe we should have a
German style SCt that works harder!

It’s on lawyers to
fix this, and the Court has given us something to work with. What Campbell is
really about is something we only learn many years afterwards b/c Court doesn’t
take enough cases! Applying the competition rule to Cariou, btw, gets you the
same result! There’s no competition in audiences, aesthetics, purposes. The new
methodology is one that good lawyers can work with and how you can discern
whether competition exists, b/c competition is at least in part empirical and
economists/expert witnesses are now in the game. Antitrust has made the
normative decision that 5-10% is the right amount; but © could have a different
view depending on what we think about incentives.

Karol: for a lawyer,
it’s very hard to deal with the answer “there’s no meaning.” Artists are still
pushing back on notions of law. He’s more comfortable w/the inevitability that
courts will make artistic decisions, as Christine Farley has written—better to
have it overt and include experts.

Carroll: more
disturbed by exploitation of subjects—artist Prince gave the value to those images;
Cariou’s subjects were exploited by Richard Prince—give more active recognition
to third party subjects. Then the fair use arguments get easier, where lots of
expressive value is attributable to subjects; scope of photographer’s © is
narrower. [Discussion of the ways in which Goldsmith’s contributions weren’t
reproduced in the Warhol work]

Sprigman: AI doesn’t
compete with any particular artist, they compete with every artist. Handled
correctly, the model of competition is “copy a particular work to compete with
it” which is not what is going on here. Competing with artists in general is
not wrongful; the intuition that drove Warhol is not the same here. But that
doesn’t mean that courts won’t consult their intuition. Photographs are
competition from machines! Painters hated photography! The camera brought a lot
of new people into producing art. Coming from antitrust, he thinks that
competition is a good thing.

Karol: AI really
shows the difference between ingestion and output. The one to one comparison in
Warhol suggests that ingesting a ton of images to train AI is nothing like
hanging art on a wall.

Carroll: the
existing precedents are about classifier AI, not generative AI, but they seem
applicability. The courts are going to feel pressure on the concept of “style”
and protecting style in the outputs.

Q from Jessica
Silbey: Kat von D won a trial, using arguments about differences between tattoo
and photo, that we might notice w/o the artist pointing them out. The lack of
substantial similarity offramp worked; that may be important going forward.
(Warhol tried! I tried! The Second Circuit had no interest.) Hierarchy:
derivative works trump fair use? Fair uses are slices off of derivative works?
I don’t like the argument, but it they skipped over the question of whether the
paintings were fair uses—seems like the question of whether they’re infringing
derivative works is ongoing.

Carroll/Sprigman:
there are no such things as transformative works—there’s a transformative use
that is creating a new work. But you still have to check whether your use of
the work is ok. (But where the use is commercial, I don’t think you should have
to reanalyze for the next use!)

RT: how could Sprigman’s
market approach handle derivative works rights?

A: has to be worked
out. Will derivative works compete w/the underlying works? That depends on the
underlying work; can’t say anything as a categorical matter. Look at derivative
works along a similar competitive analysis—a derivative work that might compete
in some reasonably defined market would be the author’s. But the analysis is
not the same for factor four, which does consider derivative markets. We would
also have to figure that out in factor four. Will Dorling Kindersley/there’s no
right to control transformative markets survive? Thinks it should.

After Warhol, you
can just say there’s no cross-elasticity of demand between Cariou and Prince;
you don’t have to say anything about Beyonce and Jay-Z showing up at Prince’s
shows. The challenge will be to do it right.

Karol: Fair use
analysis needs to be very small to be workable for small creators; antitrust
analysis is big and expensive.

Carroll: majority is
clear that commercial and competitive isn’t dispositive—there could still be a
justification. That leaves space for the dynamism of fair use.

from Blogger http://tushnet.blogspot.com/2024/02/cardozo-symposium-amy-adler-keynote-and.html

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False patent marking claims survive even when Dastar bars false advertising claims based on “innovation”

Lashify, Inc. v. Qingdao
Lashbeauty Cosmetic Co., 2024 WL 629985, No. W-22-CV-00776-ADA-DTG, No.
W-22-CV-00777-ADA-DTG (W.D. Tex. Jan. 30, 2024) (R&R)

Recommendation: Dastar
should block Qingdao’s Lanham Act false advertising counterclaims based on
Lashify’s claim to be the originator of lash technology, but false patent marking
counterclaims should survive.

Accrual: There’s a five-year statute of limitations for
false patent marking; Qingdao identified eight social media posts from Dec. 1,
2017 to Apr. 11, 2023 (claiming that various products were “patented”). It argued that, because all of the statements
are currently still available on Lashify’s website, these were continuous
violations. “[T]here must be a new or different false marking violation in
order to properly apply the continuous violations theory, not merely a
continuous posting of the same falsely marked article.” But there were four
alleged false markings within the five-year limitations period.

Lashify argued that
it held a European patent for one product at the time it promoted that product.
But “to the extent there is a mismarking, it is actionable notwithstanding the
existence of other valid patents.” And “the claim that the Fuse Control Wand
was patented suggests Lashify held a U.S. patent, which it did not receive
until” later. So false marking as to that was adequately pled. And an ITC
determination that a claimed patent didn’t cover the marked product was
sufficient to allege false marking, even if ITC determinations aren’t binding
law. “[A]n alleged discrepancy between the defendant’s marking and its prior
litigation history is sufficient to allege false marking.”

Qingdao also
sufficiently pled the requisite intent to deceive. At the pleading stage, “the
inference of intent to deceive may arise from evidence that a defendant knew or
should have known the marking was false.” Sophistication also matters:

Lashify has repeatedly publicized its knowledge of the workings of the
U.S. patent system and proclaims its sophistication in its knowledge of U.S.
patent law. It is reasonable to believe Lashify would know which of their
products are covered by patents, and which are not. Further, Lashify was
marking products for the first time as patented, not failing to remove expired
patents.

And there were
sufficient allegations of competitive injury:

1)     by improperly and knowingly falsifying
intellectual property rights, Lashify has impeded lawful market entry and
competition including as it relates to Qingdao; 2) Lashify’s false
representations have been accepted as true and proliferated by relevant consumers,
creating a landscape that is prohibitive of competition and new market entrants
like Qingdao; 3) The false reputation of legitimate intellectual property
rights in the eyes of relevant consumers has harmed and tagged Qingdao and
others as frauds and copycats; 4) Consumers who have internalized Lashify’s
false messaging are primed to immediately dismiss competitors as “uncreative
wrongdoers”; 5) Lashify sought to deceive potential customers into believing it
is an innovator and that competitors were “copycats” with the express purpose
of driving sales away from competitors; 6) Lashify was successful in driving
sales away from competitors, including Qingdao, to Lashify based on its false
representations; 7) Lashify’s customers believe and rely on Lashify’s
representations when deciding what products to purchase; 8) consumers have
commented that “I can not believe the amount of copycats out there I… refuse
to try anything else” and “I would NEVER buy a knock-off brand”

However, there may
be trouble ahead because the false patent marking is apparently only part of
the Lashify campaign to position itself as the innovator.

The false marking
statute didn’t preempt Lanham Act claims based on false statements about
patents (as long as, unlike the strict liability for other false advertising
claims, false statements about patents were made with bad faith). (Seems to me
that the court should have addressed the continuing violation theory here as
well: Although false marking
may happen just once, we might want
to treat the advertising differently under advertising law.)

But Dastar
bars claims based on statements about inventorship and innovation: 1) Lashify’s
principle is “the leading innovator worldwide when it comes to lash technology”;
2) they are “The Mother of Invention”; 3) Lashify invented “the first DIY lash
extension” and “Underlash Technology”; 4) they are the inventor of the “worlds
[sic] only” and the “worlds [sic] first DIY lash extension system”; 5) they
“invented the most natural-looking false lash system in the industry.”

This isn’t a false
statement of origin (but what about character or qualities?) because the “origin”
of goods “refers to the producer of the tangible goods that are offered for
sale, and not the author of any idea, concept, or communication embodied in
those goods.”

However, the Noerr-Pennington
doctrine didn’t apply to this case at this stage of the litigation. “The Noerr-Pennington
doctrine serves to protect private parties from liability when they petition
the government for laws or interpretations of existing laws favorable to them.”
At this stage, there was no indication that the doctrine applied to the statements
at issue.  

from Blogger http://tushnet.blogspot.com/2024/02/false-patent-marking-claims-survive.html

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Damages questions preclude certifying a Lanham Act false advertising plaintiff class

Ciccio v.
SmileDirectClub, LLC, 2024 WL 559235, No. 3:19-cv-00845 (M.D. Tenn. Feb. 12,
2024)

The court denied
certification to a proposed class of dentists/orthodontists over SDC’s
allegedly false advertising for its plastic aligners/teledentistry services,
based on difficulties identifying harm/causation.

Under Lexmark,
“a plaintiff suing under [the false advertising provision of the Lanham Act]
ordinarily must show economic or reputational injury flowing directly from the
deception wrought by the defendant’s advertising,” which is usually
accomplished by showing that the defendant’s “deception of consumers cause[d]
them to withhold trade from the plaintiff.” “Each individual member of the
putative class, therefore, would need to establish an actual effect on
consumers resulting in injury—not to the broad community of dentists and
orthodontists—but specifically to him/her and his/her practice.” This they
could not do.

“Consumer
motivations are complex, and a court cannot simply ‘assume[ ] … that every
[purchase] during the relevant time period was the result of [the defendant’s]
allegedly false statements.’” The consumers here were many, “with different
needs and preferences.” Even if falsity/misleadingness of the ads was a common
issue, that wasn’t enough. “[T]he question of whether, and to what extent, any
given plaintiff was actually injured by one or more of the statements will
depend on plaintiff-specific contextual factors. Drawing a coherent, factually
supported line from a single misleading statement in a company’s advertisement
to an actual economic injury by a competitor is inherently difficult to do,
and, insofar as it would be possible at all for the kinds of statements at
issue in this case, it would be particularly difficult to do on a class-wide
basis.” Thus, causation/harm would predominate.

A presumption of
harm from false comparative advertising wouldn’t help, because this wasn’t a
case in which “the plaintiff’s product was specifically targeted.” And anyway,
a presumption would just help established “minimally sufficient injury—not the extent
of the injury or how it was distributed among class members.” Even accepting
plaintiffs’ expert opinions on damages and even assuming disgorgement as a
remedy, there’d be no way to figure out how harm was distributed. The court
accepted criticisms of one survey, including, interestingly, that it didn’t
give respondents the option of saying that they’d stop pursuing
teeth-straightening treatment altogether, even though many SDC customers might
have done just that if SDC weren’t an option.

Nor did a damage
report adjusting for “[p]otential differences in the prices for” the relevant
services “in different parts of the country and in urban versus rural areas” suffice
because individual dental and orthodontic practices “are likely to differ in
other ways that would be just as relevant—if not more relevant—to whether and
to what extent any given practice was likely to be affected by SmileDirect’s
allegedly improper marketing. For example, some practices may serve a wealthier
patient population than others in the same geographic area, and one cannot
assume that SmileDirect’s pitch—which focused significantly on costs—would
affect each practice’s potential patients in the same way. Similarly, different
patient populations might have different media diets, resulting in different
levels of exposure to the challenged SmileDirect statements.”

Although absolute
precision isn’t required, there’s “a point at which approximation eclipses the
truth so fully that the numbers produced cannot serve the purpose they were
intended to serve.” Lost profits would also be impossible to calculate
classwide because profit margins can vary so much.

Nor was an
injunction-only class appropriate when money damages are so central to the
case.

from Blogger http://tushnet.blogspot.com/2024/02/damages-questions-preclude-certifying.html

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misrepresentation to Amazon isn’t “commercial advertising or promotion”

Amazon.com, Inc. v.
Wong, 2024 WL 553695, NO. C19-0990JLR (W.D. Wash. Feb. 12, 2024)

This default
judgment actually analyzes the false advertising claims, which is why I note
it. Amazon and Nite Ize sued Wong for selling hundreds of thousands of dollars’
worth of counterfeits of Nite Ize’s mobile device mounting products on Amazon
using “false credentials, including aliases, forged bank records, and
fabricated invoices” to create accounts. Obviously, the trademark-related
claims succeeded.

However, the false
advertising claims by Amazon failed, because Amazon didn’t allege that
defendants made false statements in commercial advertisements for the purpose
of influencing consumers or that Amazon was in competition with Wong. (The
default raises its ugly head, since Lexmark would deal with the second
issue). Instead, Amazon alleged only that defendants made false, misleading,
and deceptive statements that “were material to Amazon’s decision to allow them
to sell their goods on the Amazon store because Amazon would not have permitted
them to sell their goods but for the deceptive acts.” This wasn’t commercial
advertising or promotion.

from Blogger http://tushnet.blogspot.com/2024/02/misrepresentation-to-amazon-isnt.html

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FTC’s new rule against impersonation includes notice of supplemental rulemaking on impersonating individuals

 Read all about it.

from Blogger http://tushnet.blogspot.com/2024/02/ftcs-new-rule-against-impersonation.html

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